{"id":4297,"date":"2026-01-18T20:05:03","date_gmt":"2026-01-18T20:05:03","guid":{"rendered":"https:\/\/diyhaven858.wasmer.app\/index.php\/landmans-bobbi-salvor-menuez-knew-non-binary-role-would-cause-stir\/"},"modified":"2026-01-18T20:05:03","modified_gmt":"2026-01-18T20:05:03","slug":"landmans-bobbi-salvor-menuez-knew-non-binary-role-would-cause-stir","status":"publish","type":"post","link":"https:\/\/diyhaven858.wasmer.app\/index.php\/landmans-bobbi-salvor-menuez-knew-non-binary-role-would-cause-stir\/","title":{"rendered":"&#8216;Landman&#8217;s Bobbi Salv\u00f6r Menuez Knew Non-Binary Role Would Cause Stir"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong><em>SPOILERS: This post contains details about the <\/em>Landman<em>, Season 2 finale episode \u2018Tragedy &amp; Flies\u2019<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tAfter their first episode of <em>Landman<\/em>, Bobbi Salv\u00f6r Menuez has quickly made waves for bringing some unexpected LGBTQ representation to the Taylor Sheridan hit series.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe actor, who plays Ainsley\u2019s [Michelle Randolph] non-binary roommate Paigyn Meester in the final stretch of Season 2, admitted to Deadline they were \u201cbarely familiar with the Taylor Sheridan universe\u201d and its \u201cimmense\u201d impact before joining the Paramount+ series, explaining why they were \u201cexcited\u201d to bring a new element to the show.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cI\u2019d seen posters, I\u2019d seen flyers, but I actually hadn\u2019t seen the show before,\u201d said Menuez. \u201cSo, I didn\u2019t even totally comprehend how big of a deal it was until all those CCed agents on the chain that I don\u2019t even usually talk to are suddenly texting me, \u2018Congratulations!\u2019 I\u2019m like, wait a sec. And then I started to devour the whole first season and kind of get in gear for what this is.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tWith Season 3 of <em>Landman<\/em> and several other shows on the horizon, Sheridan is quickly becoming the Ryan Murphy for MAGA audiences throughout the South and Middle America, and the role of Paigyn is no exception to the <em>Yellowstone<\/em> creator\u2019s sensational recipe for success that even appeals to some coastal audiences from all over the social and political spectrum.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tSeen at first by some audiences as a rage-baiting caricature of a non-binary college student, the ferret-loving sports medicine major Paigyn seemingly has an aversion to being social at risk of tarnishing their \u201csafe space,\u201d so much to the point that they drive new roomie Ainsley to actual tears over the confusion that \u201cthey\/them\u201d can in fact be used as a singular pronoun.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?w=300\" alt=\"\" data-lazy-srcset=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg 3000w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=150,100 150w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=300,200 300w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=1024,683 1024w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=1536,1024 1536w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=2048,1365 2048w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=630,420 630w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=60,40 60w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=352,235 352w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=900,600 900w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=110,73 110w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=285,190 285w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=320,213 320w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=640,427 640w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=800,533 800w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04113_RT_f.jpg?resize=1280,853 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"683\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\" lrv-u-font-size-16 lrv-u-font-size-14@mobile-max lrv-a-font-body-m u-font-style-italic lrv-u-font-weight-bold lrv-u-font-family-primary u-line-height-20 u-letter-spacing-0 u-line-height-18@mobile-max\">Bobbi Salv\u00f6r Menuez as Paigyn and Michelle Randolph as Ainsley in \u2018Landman\u2019 (Emerson Miller\/Paramount+)<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cKnowing the impact of this show, I just knew there would be a lot of different responses from all sides of the spectrum, and if you look at American politics, obviously this is a hot button [topic],\u201d Menuez noted. \u201cSo, I knew that there would be a lot of different responses, but for me, I don\u2019t really look at the comments section. I don\u2019t really look at the reviews. As the actor, my job is to show up, do what I need to do to perform this character in a way that feels authentic and good to me, and in service of the story and the people that I\u2019m working with. And I don\u2019t feel like it\u2019s my responsibility to take all of that in.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tThe character\u2019s introduction in the penultimate episode \u2018Plans, Tears &amp; Sirens\u2019 did its job in eliciting a response from LGBTQ and anti-LGBTQ audiences alike in the show\u2019s sophomore season.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tBut the finale \u2018Tragedy &amp; Flies\u2019, now available to stream on Paramount+, proves that first impressions are not always correct, as Paigyn keeps Ainsley from developing an injury during cheer camp, and the cheerleader returns the favor by defending her new friend from anti-LGBTQ bullies.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<iframe loading=\"lazy\" title=\"Ainsley Meets Her Roommate | Landman | Paramount+\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/ryIeOxe9lBw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t\u201cIt might not be what some audience members might have expected, but it\u2019s also just a true representation of contemporary reality. Queer people do exist, they\u2019re gonna keep existing,\u201d explained Menuez. \u201cSometimes, they might be cranky and not the most friendly the first time you ask them about their pronouns or tell them about their pronouns. But those interactions, at the end of the day, there\u2019s more to the story than that, I think. \u2026 I hope I get to learn more soon about if there\u2019s more for Paigyn in this world. That would be awesome.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tRegardless of any agenda <em>Landman<\/em> writer and co-creator Sheridan might have behind the role of Paigyn, Menuez is a talented non-binary actor building on a diverse repertoire, while playing by the rules of a grueling post-strike Hollywood, with past roles in shows like <em>Girls<\/em>, <em>Transparent<\/em> and <em>Euphoria<\/em>, as well as A24\u2019s <em>Under the Silver<\/em> Lake, Tom Ford\u2019s <em>Nocturnal Animals<\/em> and the 2023 Paramount body horror <em>My Animal<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tRead on about Bobbi Salv\u00f6r Menuez\u2019s unexpected addition to <em>Landman<\/em>, their hopes for Season 3 and building upon their storied onscreen career.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>Tell me about joining this massive Taylor Sheridan show and what the audition process was like.<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>BOBBI SALV\u00d6R MENUEZ:<\/strong> Well, it\u2019s interesting because the tape came through in a really busy time for me. I was working on different art projects in New York and upstate, and I just have a rule with myself where when auditions come in, I just do them, whether I want them or not. It\u2019s just, to keep that practice feels really important for me. So, I barely looked at it, it was just such a crazy weekend. It was like, my sister\u2019s graduation, I\u2019m in this like weird experimental performance in this upstate biennial, it was a kooky, kooky weekend. And that tape came in, and I literally had to film that audition in a car parked on the street. I was like, \u201cThere\u2019s no way I\u2019m getting this one. I\u2019m just not gonna think about it too much.\u201d And then, I think it was just a couple weeks later that I got the call, \u201cAre you willing to cut your hair?\u201d Because my hair was a bit longer at the time, and I\u2019ve had my hair from buzzcut to down to my waist and back again throughout my whole life. So, I don\u2019t have sensitive feelings about that. So, that was a very quick and easy \u201cyes\u201d for me. And the next thing I know, I got the job. I don\u2019t actually watch a lot of TV in my personal life \u2026 so, I was barely familiar with the Taylor Sheridan universe and how immense it was. I\u2019d seen posters, I\u2019d seen flyers, but I actually hadn\u2019t seen the show before. So, I didn\u2019t even totally comprehend how big of a deal it was until all those CCed agents on the chain that I don\u2019t even usually talk to are suddenly texting me, \u201cCongratulations!\u201d I\u2019m like, wait a sec. And then I started to devour the whole first season and kind of get in gear for what this is. And then I went down to Texas and went in for the haircut, and got to have a great call with Taylor where he told me about his vision for this character and this evolving relationship with Ainsley. And I connected also with [director, EP] Stephen Kay, who was really like, \u201cIf you want to talk about anything, let me know,\u201d and then, we just kind of jumped right in.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>What was your initial response to the character, and have you seen any of the online response to the character yet?\u00a0<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>MENUEZ:<\/strong> Yeah, I mean, knowing the impact of this show, I just knew there would be a lot of different responses from all sides of the spectrum, and if you look at American politics, obviously this is a hot button [topic]. So, I knew that there would be a lot of different responses, but for me, I don\u2019t really look at the comment section. I don\u2019t really look at the reviews. As the actor, my job is to show up, do what I need to do to perform this character in a way that feels authentic and good to me, and in service of the story, and the people that I\u2019m working with. And I don\u2019t feel like it\u2019s my responsibility to take all of that in. I find it better. So, I kind of have my trusted people who are sort of keeping tabs and updating me. They\u2019re like, \u201cOh well, some people are mad about this, some people are mad about that,\u201d and I\u2019m like, \u201cOK, that\u2019s what I would expect.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?w=300\" alt=\"\" data-lazy-srcset=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg 4800w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=150,100 150w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=300,200 300w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=1024,683 1024w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=1536,1024 1536w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=2048,1365 2048w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=630,420 630w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=60,40 60w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=352,235 352w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=900,600 900w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=110,73 110w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=285,190 285w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=320,213 320w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=640,427 640w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=800,533 800w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/TCDILOV_EC055.jpg?resize=1280,853 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"683\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\" lrv-u-font-size-16 lrv-u-font-size-14@mobile-max lrv-a-font-body-m u-font-style-italic lrv-u-font-weight-bold lrv-u-font-family-primary u-line-height-20 u-letter-spacing-0 u-line-height-18@mobile-max\">Bobbi Salv\u00f6r Menuez in \u2018I Love Dick\u2019 (2017) (Jessica Brooks\/Amazon\/Courtesy Everett Collection)<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>That\u2019s fair. That\u2019s a good way to handle it. Maybe I should start doing that, to be honest.<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>MENUEZ:<\/strong> It\u2019s not always easy. It\u2019s not easy. It\u2019s so tempting. My partner was like, \u201cDon\u2019t do it. Don\u2019t do it. Don\u2019t do it, girl, don\u2019t do it.\u201d But I didn\u2019t do it, so that\u2019s been really great. I had a cold this week, I had other projects I was working on pre-production for, and I just can\u2019t wait for everyone to see the finale, because it speaks to a different tone.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>I was gonna say, I do like that Paigyn is slightly more reeled in, in the finale. We get to see more of their personality without the pressure of the first meeting. So, tell me about where that will potentially go with Ainsley.\u00a0<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>MENUEZ:<\/strong> I have no idea what\u2019s happening for Season 3, and my hope is that I get to be a part of it. I can\u2019t say, one way or the other at this time, but I love getting to see that pivot from these two people who have really different life experiences, clearly started off on the worst foot, and people are triggering each other in all directions. And to me, that first interaction isn\u2019t the only truth of a person in real life, and so of course, that\u2019s not the only truth of the character. So, it\u2019s really nice to suddenly in the finale, have that dimensionality sort of open up, where the reality of one another\u2019s humanity just becomes so much more obvious, and then, the playing field is leveled. And it\u2019s like, \u201cWait, actually, let\u2019s try again.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>I like that that pivot as well. What was it like filming in Texas?\u00a0<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>MENUEZ:<\/strong> We filmed in Fort Worth. Whenever I leave New York\u2014because I was born in Brooklyn, raised in New York, and I\u2019ve always lived in big metropolitan cities\u2014and obviously, Dallas is a big city, Fort Worth is a big town. But of course, whenever I go to Texas, because I also worked in Marfa, on <em>I Love Dick<\/em> years ago, so I worked in Texas before. But Marfa is its own kind of little arts community. It\u2019s not the kind of cowboy country that you are suddenly dropped into the middle of, and honestl, I really felt the culture shock of being like, \u201cOh wow, I forgot cowboys are real.\u201d And I went with some castmates and friends visiting town to go to the rodeo on the weekend. It was my first rodeo, I had never done those things. And it was just really interesting to learn about this other world and just be reminded also, this country is so big and full of so many little different worlds and cultures and culturally specific kind of practices. There\u2019s so much about the rodeo that I don\u2019t know about, but I just could enjoy so much, just the theatrics of it. I\u2019m an actor, I love performance,, and then the rodeo is like theater, it\u2019s theater. I had a really fun time, although it was really hot, so I didn\u2019t really go out too much. I remember trying to go for a walk to some cafe on my first day off, and I was on the phone with my friend who grew up in Austin. And they were like, \u201cWhat? Don\u2019t walk, call an Uber. You\u2019re gonna pass out.\u201d And I think they might have been right about that. It was really hot.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>What was it like working with the ferret?<\/em>\u00a0<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>MENUEZ:<\/strong> I loved the ferret. The ferret was really funny because I had never interacted with a ferret before, although I think they\u2019re really cute. So, I was pretty excited about that aspect of the show, but they have a weird energy where it\u2019s like, they seem totally narcoleptic, asleep, floppy. The version of the take that is the first introduction, basically like a limp noodle, but then other takes, they suddenly get these like zoomy energies, so it was really funny working with this animal that would just, one minute be truly like a wet noodle, and the next minute like\u2014I have a chihuahua. It\u2019s like the chihuahua before dinner time, so excited, running in circles, so it was really fun. It reminds me of also working with children, I kind of love that bit of unpredictability cause it makes it feel so real too. So, for any scene where there\u2019s that element, it just makes it really easy to be in the reality of the interaction, I think. It didn\u2019t actually smell as bad as I\u2019ve heard they can smell, even though it\u2019s a big moment in the interaction, obviously.\u00a0<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((429\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?w=300\" alt=\"\" data-lazy-srcset=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg 2148w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=150,63 150w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=300,126 300w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=1024,429 1024w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=1536,644 1536w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=2048,858 2048w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=239,100 239w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=60,25 60w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=352,147 352w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=110,46 110w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=285,119 285w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=320,134 320w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=640,268 640w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=800,335 800w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDUNTH_EC252.jpg?resize=1280,536 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"429\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\" lrv-u-font-size-16 lrv-u-font-size-14@mobile-max lrv-a-font-body-m u-font-style-italic lrv-u-font-weight-bold lrv-u-font-family-primary u-line-height-20 u-letter-spacing-0 u-line-height-18@mobile-max\">Andrew Garfield, Bobbi Salv\u00f6r Menuez, Grace Van Patten and Sydney Sweeney in \u2018Under the Silver Lake\u2019 (2018) (A24\/Courtesy Everett Collection)<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>I loved you in <\/em>Under the Silver Lake<em>. Tell me about your experience on that movie, because it was a very specific take on LA, with the noir and the urban legends, but also what was it like working with Andrew Garfield and Sydney Sweeney?<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>MENUEZ:<\/strong> Yeah, it\u2019s so funny because right now, there\u2019s like a micro trend where everyone\u2019s reflecting on 2016, because it was 10 years ago, which I think was when I started filming that. Because when I was looking through my photos, I saw interestingly in that movie, my hair looks quite a lot how it looks right now, but it\u2019s actually a wig, which most people don\u2019t know. But I was in the middle of filming <em>I Love Dick<\/em>, where my hair was really long, so I couldn\u2019t cut it, although I would have been happy to, as made evident again on [<em>Landman<\/em>]. But it was a really fun, cool set. I had really liked <em>It Follows<\/em>, the director\u2019s [David Robert Mitchell] previous film and was really intrigued with this kind of film noir approach to LA. And just working with Andrew was such a dream. He was so lovely. It\u2019s interesting cause that time was actually pre-intimacy coordinators, and we had intimate scenes together, obviously. But he was just so great, we just like connected on a real human level, and so, it made doing these funny striptease, whatever scenes just feel really easy and really comfortable. I just had a great time on that set.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>That\u2019s awesome. Also, a couple of years ago, I interviewed Jacqueline Castel, the director of <\/em>My Animal<em>.<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>MENUEZ:<\/strong> Oh yes, which also Paramount put out.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>It\u2019s almost like you did the whole queer hockey romance before <\/em>Heated Rivalry<em>.\u00a0<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>MENUEZ:<\/strong> Right! I should claim that more. Good point.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>What was that experience like? Queer body horror is my sweet spot.\u00a0<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>MENUEZ: <\/strong>I can relate. I can relate, like <em>Titane<\/em> and <em>Raw<\/em>. I loved working on that movie. Amandla [Stenberg] was a friend previously, and I sent her the script and was like, \u201cYou got to read this. I think we could really do something special with this.\u201d And I just really fell in love with the script. Jae [Matthews], who wrote it, is amazing. And I\u2019m excited, she just finished filming her first feature that she also directed with her directing partner. But working on <em>My Animal<\/em> was amazing because with Jacqueline\u2014and I\u2019ve worked with a lot of first-time directors on their first features as the lead. I\u2019ve done that quite a few times now, and there\u2019s something really special about the energy that a director is giving to their first feature, that level of, this is the most important thing, and I\u2019m going to give it everything. And then to be in that lead position and have that energy to be kind of supporting you as you are invited to do the same is really something that I love. And that movie, what happens in the script, my character has to move through an entire lexicon of emotion, experience, stunts, sex scenes. It\u2019s really the full gamut, and that\u2019s always such a pleasure to receive a role like that as an actor, because for me, I love to challenge myself. I love to be in new situations. I love to push myself and really see what\u2019s possible with this medium and with my relationship to my body and my capacity to use it as a vessel for expression, for empathy generation in an audience. So, I really felt like I had a lot of room to do that on that project, and I was able to really pour a lot in. And it really fed me back. It was heartbreaking that our release happened during the strike, so I wasn\u2019t able to participate in that kind of usual celebratory uplifting of the film process, because that was a really special project to me, for sure.\u00a0<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((576\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/deadline.com\/wp-content\/themes\/pmc-deadline-2019\/assets\/public\/lazyload-fallback.jpg\" data-lazy-src=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?w=300\" alt=\"\" data-lazy-srcset=\"https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg 2500w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=150,84 150w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=300,169 300w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=1024,576 1024w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=1536,864 1536w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=2048,1152 2048w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=178,100 178w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=125,70 125w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=600,338 600w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=660,370 660w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=1280,720 1280w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=1000,563 1000w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=910,511 910w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=681,383 681w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=450,253 450w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=250,140 250w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=296,166 296w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=248,139 248w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=200,112 200w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=270,152 270w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=60,34 60w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=352,198 352w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=110,62 110w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=285,160 285w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=320,180 320w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=640,360 640w, https:\/\/deadline.com\/wp-content\/uploads\/2026\/01\/MCDMYAN_EC011.jpg?resize=800,450 800w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"576\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\" lrv-u-font-size-16 lrv-u-font-size-14@mobile-max lrv-a-font-body-m u-font-style-italic lrv-u-font-weight-bold lrv-u-font-family-primary u-line-height-20 u-letter-spacing-0 u-line-height-18@mobile-max\">Bobbi Salvor Menuez in \u2018My Animal\u2019 (2023) (XYZ Films\/Courtesy Everett Collection)<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>It\u2019s really interesting to see you go from an indie queer role like that to something more mainstream like <\/em>Landman<em>. What has been your experience as an actor, finding that sweet spot that speaks to you?<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>MENUEZ:<\/strong> I just love to work. I love the work of acting, and the only other project I did last year was a play. It was this off-Broadway contemporary reinterpretation of the Sam Shepard play <em>True West<\/em>, and I played one of the brothers, and it was super experimental. It was interesting. I was shocked when I got on the set for <em>Landman<\/em>, because the production of <em>Landman<\/em>, it\u2019s so big, they\u2019re shooting with three cameras at all times. And especially, when we were shooting everything out on the field, there\u2019s so much room, in a literal sports field, that I never even felt the cameras. They were so far away and sometimes, you didn\u2019t even know what coverage they\u2019re getting. So, I was shocked to be like, it feels like I\u2019m back in the play because the play was in the round, and the cameras are like basically on all sides without getting each other in the shot. And so, I\u2019m always surprised at how each new experience, each new character, each new director, there\u2019s a different flavor, it feels different, and yet there\u2019s something at the essence of it that is the thing that I like. And so, I just love that I get to have this kind of wide range of experience in my career. I feel really, really blessed to say I\u2019ve worked with multiple trans directors in my career, most actors can\u2019t say that. I feel very privileged I get to say that, multiple female directors, which is still is a rare thing. And then to get to say, I also worked with Taylor Sheridan, ho\u2019s like the king of the western and like the king of Paramount, it suggests something different, and yet we\u2019re actually all working with shared material, is my feeling.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>DEADLINE: <em>That\u2019s an amazing way to look at it. And it\u2019s also just great seeing LGBTQ representation continue when GLAAD released a study recently that almost 50% of LGBTQ characters are disappearing. So, it\u2019s great seeing that representation pop up in places where you might not expect it, as well.\u00a0<\/em><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>MENUEZ:<\/strong> Yeah, I was excited by that. It might not be what some audience members might have expected, but it\u2019s also just a true representation of contemporary reality. Queer people do exist, they\u2019re gonna keep existing. Sometimes, they might be cranky and not the most friendly the first time you ask them about their pronouns or tell them about their pronouns. But those interactions, at the end of the day, there\u2019s more to the story than that, I think. \u2026 I hope I get to learn more soon about if there\u2019s more for Paigyn in this world. That would be awesome.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SPOILERS: This post contains details about the Landman, Season 2 finale episode \u2018Tragedy &amp; Flies\u2019 After their first episode of Landman, Bobbi Salv\u00f6r Menuez has quickly made waves for bringing some unexpected LGBTQ representation to the Taylor Sheridan hit series. The actor, who plays Ainsley\u2019s [Michelle Randolph] non-binary roommate Paigyn Meester in the final stretch [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4299,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_daextam_enable_autolinks":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[12],"tags":[],"class_list":["post-4297","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/diyhaven858.wasmer.app\/wp-content\/uploads\/2026\/01\/LANDMAN_209_EM_0806_04068_RT_f.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/diyhaven858.wasmer.app\/index.php\/wp-json\/wp\/v2\/posts\/4297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/diyhaven858.wasmer.app\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/diyhaven858.wasmer.app\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/diyhaven858.wasmer.app\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/diyhaven858.wasmer.app\/index.php\/wp-json\/wp\/v2\/comments?post=4297"}],"version-history":[{"count":0,"href":"https:\/\/diyhaven858.wasmer.app\/index.php\/wp-json\/wp\/v2\/posts\/4297\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/diyhaven858.wasmer.app\/index.php\/wp-json\/wp\/v2\/media\/4299"}],"wp:attachment":[{"href":"https:\/\/diyhaven858.wasmer.app\/index.php\/wp-json\/wp\/v2\/media?parent=4297"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/diyhaven858.wasmer.app\/index.php\/wp-json\/wp\/v2\/categories?post=4297"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/diyhaven858.wasmer.app\/index.php\/wp-json\/wp\/v2\/tags?post=4297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}