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\n\tSeveral well-connected sources were quick to name David Brindley, CEO of Destination X <\/em>producer Twofour, as a frontrunner from the indie sector. In a tricky unscripted market, his ITV Studios-backed outfit finds itself in rude health, producing both the UK and U.S. versions of Destination X<\/em>, Apple TV\u2019s The Reluctant Traveler with Eugene Levy, <\/em>and ITV\u2019s upcoming The Box, <\/em>hosted by Gary Lineker. All involve steering big-name talent. Brindley used to work for Channel 4 and was behind one of its most impactful shows of all time, Educating Yorkshire<\/em>, which he recently revived at Twofour. He got down to the last four for the top BBC content job last year and is a respected figure on both sides of the producer-commissioner fence. Nevertheless, there is no question that running an entire network, with all that entails, would be a big step up for Brindley.<\/p>\n \n\tBen Frow<\/strong><\/p>\n \t\t\t\t\t\t \n\tParamount UK\u2019s chief content officer was characteristically withering about Katz during his appearance at the Edinburgh TV Festival last year. Asked about originality on Channel 4, Ben Frow replied sarcastically: \u201cAnyone looking at the Channel 4 schedule would say it\u2019s completely different to how it was seven years ago under Jay Hunt. He\u2019s a genius. He\u2019s completely reinvented television.\u201d\u00a0<\/p>\n \n\tWhether the trash talk was fair is up for debate, but it was revealing of Frow\u2019s view that Channel 4 requires change. Which begs the question: Does Frow believe he is the right man to deliver that change? \u201cHe relishes being the outsider, but part of him would love a blue-chip job,\u201d was the verdict of one colleague.\u00a0<\/p>\n \n\tThere is little doubt that he has the commissioning credentials, having massively reinvigorated 5 during his nearly 14-year tenure, to the point where it regularly beats Channel 4 in the overnights. Plus, there is always a dash of mischief in his output \u2014 the recent Huw Edwards drama being the example of a show that could quite happily sit on Channel 4. One Channel 4 insider questioned whether Frow has enough experience serving young audiences, while others suspect he might be too expensive for Channel 4. But with Paramount in Warner Bros-shaped flux, Frow might fancy a new challenge.<\/p>\n \n\tStuart Murphy<\/strong><\/p>\n \t\t\t\t\t\t \n\tStuart Murphy\u2019s name has come up consistently in recent days, but the former CEO of English National Opera would still be regarded as a leftfield hire. Murphy ran BBC Three and Sky for years, commissioning shows like Gavin and Stacey<\/em> and A League of Their Own<\/em>, but he has not held a permanent executive TV role for around a decade. \u201cIt would be a pivot to the past,\u201d said a respected producer. Another major Channel 4 supplier added: \u201cI think he\u2019d love to do it. He\u2019s having a strange career, but he\u2019s a bright, offbeat spark.\u201d A third source noted that he previously had a knack for commissioning hit shows that appeal to young audiences, which Channel 4 could do with right about now. <\/p>\n \n\tAlisa Pomeroy<\/strong><\/p>\n \t\t\t\t\t\t \n\tAlisa Pomeroy, Channel 4\u2019s head of docs and factual entertainment, is seen by many as the most likely internal candidate to replace Katz. A popular figure with producers, Pomeroy was one of the big winners of the 2024 commissioning restructure that saw her take on a brief covering a spread of Channel 4\u2019s unscripted fare. She now looks after shows ranging from 20-year-old hit Gogglebox <\/em>to hard-hitting docs like Shoot to Kill: Terror on the Tube<\/em> or Michael Jackson: The Trial. <\/em>Most recently, she oversaw Dirty Business, <\/em>the David Thewlis-starring docudrama that kickstarted a nationwide conversation around the dangers of sewage and water companies\u2019 greed. <\/p>\n \n\t\u201cLet\u2019s start a campaign to get her the job,\u201d said one fan from the production sector, who has worked with Pomeroy on multiple shows. There appears to be a feeling from some within Horseferry Road that Pomeroy or news chief Louisa Compton may be Katz\u2019s preferred successors. He has always been a huge fan of both and has promoted them during his tenure. Lack of scripted experience would count against Pomeroy at a time when Channel 4 is spending big on drama and comedy, but this applies to a number of candidates on this list. Were she to be successful, she would be the first internal candidate to get the gig in Channel 4\u2019s plus-40-year history.<\/p>\n \n\tLouisa Compton\u00a0<\/strong><\/p>\n \t\t\t\t\t\t \n\tChannel 4\u2019s head of news and current affairs is being touted as another credible internal contender for the top job. Louisa Compton has been at the forefront of Channel 4\u2019s noisy factual output, shepherding the likes of Russell Brand: In Plain Sight<\/em> and Gaza: Doctors Under Attack<\/em> to the screen, as well as Will AI Take My Job?<\/em>, provocatively hosted by an AI presenter.<\/p>\n \n\tAlthough well-regarded in the news community, she is an unknown quantity to many drama and factual producers. She did ause a brouhaha at the 2025 Edinburgh TV Festival, when she accused Netflix of being \u201cTV tourists\u201d after the success of Adolescence<\/em>. at a time when CEO Dogra might be looking for an executive with more scripted or entertainment skills. Compton is also being heavily linked to the BBC News CEO role after previously editing Victoria Derbyshire<\/em> and Radio 1\u2019s Newsbeat<\/em>.<\/p>\n \n\tKiran Nataraja <\/strong><\/p>\n \t\t\t\t\t\t \n\tKiran Nataraja is, in some senses, a more left-field internal candidate than Pomeroy or Compton, but the well-liked executive has quietly become one of the most important people at Channel 4 during Katz\u2019s tenure. A true lieutenant, the Director of Streaming Content Strategy\u00a0has \u201chelped steer every big commissioning decision for the past four or five years,\u201d believes one production boss, who is gunning for her to get the top prize. <\/p>\n \n\tShe has been promoted numerous times under Katz, adding editorial leadership of Channel 4 streaming a couple of years back at a time when the broadcaster is going for broke with its online video service (confusingly also named Channel 4). \u201cShe may have kept a lower public profile but she is brilliant,\u201d said another industry champion. Were she to progress through the process, it is likely that her lack of time spent at the coalface of production, or dealing with top talent, would count against her, but from our chats these past couple of days, it feels as though Nataraja is in with a shot. Were she to land it, Channel 4\u2019s two head honchos would be women of Asian descent.<\/p>\n \n\tOther Names In Our Inbox<\/strong><\/p>\n \n\tPlenty of other names are circulating, as producers put forward their preferred candidates. Banijay UK CEO Patrick Holland <\/strong>is again being linked to a top broadcasting job after speculation about his candidacy for the BBC director-general and chief content officer roles. BBC Studios Global Content CEO Zai Bennett <\/strong>is also seen as a capable contender by many in the production community.<\/p>\n \n\tTom McDonald<\/strong>, EVP of content at National Geographic; John Hay<\/strong>, CEO of The Garden; and Philip Edgar-Jones<\/strong>, the Sky commissioner behind Saturday Night Live UK<\/em>, are other male names doing the rounds. Syeda Irtizaali<\/strong>, the new director of unscripted at Netflix, and Apple TV\u2019s Alison Kirkham<\/strong> are also the subject of speculation.<\/p>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/figure>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/figure>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/figure>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/figure>\n<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/figure>\n<\/div>\n